REVIEW: Persuasion

REVIEW: Persuasion

The Genesian Theatre Company loves their period dramas. And why not? They do them so well. Jane Austen’s novels provide much source material for them and their latest production sees Persuasion realised on stage.

Adapted by British director/author, Tim Luscombe, the stage version of Austen’s novel allows her colourful characters to live and breath in 3D. As usual, The Genesian Company delivers on sets and costumes, showing attention to detail without allowing any aspect of the design to be intrusive. Director, Trudy Ritchie extracts key emotional elements from the actors and ensures that all performances are balanced and complementary.

In the lead role of Anne Elliot is Rose Treloar who has a commanding presence, is forceful and independent yet still vulnerable and lovelorn. Kendall Drury is Frederick Wentworth, the object of Anne’s desire, who is typically obstinate and proud but hopelessly sentimental. Jane Austen’s novel relishes in comically unsympathetic characters and these present some of the most entertaining performances of the play. Angela Johnston is delightfully self-interested and sulky as Mary Musgrove, while Nick Fitzsimmons is her perfect counterpart as the long-suffering husband, Charles. Natasha McDonald has a wonderful “pinched face” expression and excellent line delivery. Tom Massey plays the rotund, ineffectual Sir Walter Elliot with vaudevillian aplomb.

Incidental music is used astutely and of course, the unique, antique setting of the Genesian Theatre simply adds charm to the atmosphere.

Always a good night out.

Until Aug 17. Genesian Theatre, 420 Kent St, Sydney. $25-$30+b.f. Tickets & Info: www.genesiantheatre.com.au

 

Reviewed by Rita Bratovich

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