Image: Photo: Chris Lundie
Exploring the lifestyle of fame and celebrities, Birdland showcases the harsh reality behind stardom and the struggles musicians often encounter due to their reputation.
Written in 2014, Birdland follows the emotional and mental unravelling of Rockstar, Paul as his latest European tour comes to a close. Director Anthony Skuse said,
“In Birdland, there is no indication of what type of musician Paul is. The world of the rock star, along with fame and celebrity, are metaphors for capitalism and neo-liberalism… The central character has commodified every aspect of his life, from his relationships to his own talent.”
Skuse wanted to highlight the critique of capitalism, which is prominent throughout the play.
“The play moves with the speed and fluidity of an Elizabethan tragedy. Paul’s relationship with his manager echoes Faustus’ relationship to Mephostophilis; by the end of the play Paul also realises that ‘hell hath no limits … for where we are is hell’… the script asks for an open, abstract space and I have been looking at images of deserted, nineteenth century theatres in Russia. They are great images of opulence with decay,” Skuse said.
Audience members will find themselves drawn into the ups and downs of Pauls life, with broader ideas beneath the surface that they can engage with for a deeper appreciation.
“Scenes will seem very straight forward on the page and the complexities only reveal themselves once you have actors on the floor… Simon Stephens’s writing is incredibly satisfying to work on, it is amazing and it’s performed by a great ensemble of actors. Every performance is unique because of the symbiosis between audience and performer,” Skuse concluded.
Until Nov 4, 542 New Theatre, King St, Newtown. $20-$35. Tickets & Info: www.newtheatre.org.au
By Jade Morellini.
