The Rover
A classic from 1677 by the first professional woman playwright, Aphra Behn, The Rover is a sexy, dangerous play.
Set in the 17th century in Naples during carnival time, it’s a comedy where the audience are in control. It’s obvious to them who’s hidden behind the masks, but it’s funny because the characters are confused and don’t know who everyone is.
But it’s a drama as well, confronting in terms of male power and how that can be flipped. It’s full on with some very honest moments. The Rover features themes that are still discussed today; the battle between the sexes, and there’s love and commitment issues as well.
Most of the action happens outside Angellica Bianca, a famous Courtesan’s showroom and brothel.
Director Eamon Flack’s trademark is joie de vivre, which translates as cheerful enjoyment of life. He has definitely brought his trademark to The Rover.
“It’s so joyous, a game, playful, everyone is enjoying it. Carnival is a celebration. These people haven’t been able to celebrate for so long and now they’ve been given the chance. It’s thrilling, but also scary,” explained Taylor Ferguson, who plays Hellena.
Hellena is a nun, so there’s a lot at stake. She’s headed back to the convent the next day and not allowed to enjoy Carnival but she sneaks out, rebels against being a virgin and goes completely against the system. She has a taste of freedom and wants to go out and experience life.
“The best thing about The Rover is the strength in the women who all have a huge journey and character arc and reach a resolution.The play can be described as men and their bodies, women and their minds. The men are a lot more naked and fleshy compared to the women. The Rover is like jumping off a bridge into a pile of flowers, bodies and rules,” said Ferguson.
Jul 1-Aug 6. Belvoir Theatre – Upstairs, 18 & 25 Belvoir St, Surry Hills. $40-$72. Tickets & Info: www.belvoir.com.au
By Mel Somerville.
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