THEATRE: ORESTEIA

Where would theatre be without dysfunctional families? For thousands of years, playwrights have taken us into the darkest corners of the domestic, unearthing the neurosis and claustrophobic relationships that define the human condition. Leave it to the Greeks though, to show us how it’s really done. In the House of Atreus, the walls speak of infanticide, cannibalism, adultery and incest; the worst of human nature further complicated by the meddling of the gods. Aeschylus’ Oresteia trilogy is over 2,500 years old, but Tom Wrights’ often-inspired adaptation unearths timeless relevance. The psychological cost of war, sexual politics, state corruption and the powerlessness of reason are just some of the concerns explored through the prism of a bloody cycle of revenge. The STC’s in-house actors the Residents, make their main stage debut, gamely tackling some of history’s great characters. The first act is a shot of adrenalin, as skilled performances, effective stage design and beautiful sound work bring the dark narrative to startling life. If Act II fails to match its relentless intensity, it’s not due to a lack of ambition. For audiences more familiar with contemporary theatre, a visit to the Wharf and the House of Atreus should be a rewarding experience.

Until Jul 4, Sydney Theatre Company, Pier 4/5, Walsh Bay, $30-75, 9250 1777, sydneytheatre.com.au

BY ALEX BODMAN