THEATRE: 11 AND 12
“If you really want to search for truth in conditions where there are a lot of problems and conflict, you can encounter death.” Marie-Hélène Estienne, 11 and 12 playwright.
Peace and conflict … life and death … France and Africa. 11 and 12, Peter Brook’s latest directorial masterpiece tackles some of the 20th centuries biggest challenges. Set in Africa’s colonial heartland, a simple misunderstanding during a prayer leads to centuries of religious feuding and ultimately death. The conflict is aggravated by an arrogant coloniser, France, happy to flex its military muscle at a whim. Those characters who seek peace understand, “There are three truths, my truth, your truth and the truth.” Despite this wisdom, each holds their truth doggedly, and so the conflict continues. 11 and 12 highlights the frustrating and petty element of modern day conflicts through its multicultural cast. It is these excellent performances, and the live, bright musical accompaniment featuring instruments from east and west, that really take the audience through this complex, politically charged story. For those who love history, politics or grand theatricality, 11 and 12 will delight. Others, who are interested in a lighter performance, will find this play slow and disheartening. Love or hate it, it’s simply a matter of taste.
Until Jun 13, Sydney Theatre, Pier 4/5, Walsh Bay, $40-90, 9250 1999, sydneytheatre.com.au
BY ANNA KLAUZNER
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