Stereolab – Chemical Chords

Chemical Chords – Stereolab

By Chris Peken

It has been four long years since Stereolab’s last album, six years since the death of backing singer Mary Hansen, and 18 years since they appeared on the music scene. While they have always been a distinctive mix of Kraut-rock, 60’s girl-pop and hypnotic electronica, the band seems to have been searching for their raison d’etre on their last few releases. Chemical Chords sees them shelve the driving Kraut-rock rhythms for a lighter Motown feel, seeking the immediacy of pop as they let the sunshine into their musical world. Leading with their best foot Neon Beanbag is hook-laden with a cheerful disposition (that echoes the arrival of our spring – all bright light and bird-songs), Vortical Phonotheque has touches of Lucy in the Sky with Diamonds, while Celluloid Sunshine uses strings to great effect, balancing the keyboards, and provides the album’s strongest moment. Ultimately Chemical Chords is an album of trade-offs – high on charm and instant delight, a touch light on enduring drive. Stereolab however, remain unique.

*** 1/2